Have been reading “Heracles,” a little-known tragedy by Euripedes, for my Greek Drama course. It’s quite interesting, and quite a change from the plays of Sophocles and the other playwrights.
In the original myth, Heracles/Hercules, the strongest man in the world, is struck by madness sent by the goddess Hera because he is the child of her husband Zeus and a human woman, and Hera always punishes Zeus’ lovers and their offspring rather than her husband. While mad, Heracles kills his wife, Megara, and their three little sons. Afterwards, to atone for this awful act, he performs the Labors he is famous for.
In Euripedes’ play, Heracles does the Labors first, to clean up Greece, like some US marshall cleaning up the town of Tombstone. When the play begins, he is coming back from his descent to Hades, land of the dead, where he has gone to rescue Theseus, King of Athens (who foolishly was led by his sophomoric friend Perithous in a foolish attempt to kidnap Persephone, Queen of Hades and bring her home, and was stuck down there, unable to return to earth). To his alarm, he finds his wife and sons about to be killed by the tyrant who has taken over Thebes after the death of Creon, who fears them because they might take over the kingdom when they grow up. Heracles promptly kills the tyrant and everyone rejoices. It looks as if the play is over.
THEN, at his moment of triumph, he is struck mad by Hera and kills his wife and children.
The murders are, of course, performed off-stage, but we get a vivid description from a messenger. His words are a kind of play-within-a- play, and are both touching and shocking. Heracles is stopped from going on to kill his human father (well, the man he has treated as father, even though Zeus is his real father) by the goddess Athena, sent by Zeus, who hits him on the head with a rock and knocks him out. (Why Zeus couldn’t have sent her earlier and prevented Heracles from killing everyone in his family is never questioned.)
When Heracles comes to, he is horrified to discover what he did in his fit of madness. Suddenly, the strongman and hero, part god, part man, all his life different from ordinary men, is reduced to the level of a suffering human, and in this case, it is not because of some error he made in the past, as it was with Oedipus and so many other protagonists in Greek drama. His is not responsible for his family’s murders, and yet he feel of course that he is, since his hands did the crimes. He is ready to kill himself out of regret, guilt, grief and hopelessness, when Theseus turns up to thank him for rescuing him.
Theseus appears in several plays as a kind of saviour figure, constantly looking beyond the surface ‘pollution’ of such figures as Oedipus who have done unthinkable things, and offering to befriend them, even if they are considered pariahs. Here, when he learns what Heracles has done, he offers to take him to Athens and cleanse him (as he did Oedipus) and says that any honor he (Theseus) has accumulated from killing the Minotaur he will give to Heracles.
Heracles doesn’t cheer up at this, but he is profoundly grateful. He stops ranting about his guilt, draws himself up nobly, and accepts this offer. When Theseus tells him that, after all, the gods are fickle, that they commit adultery and are dangerously fickle, Heracles suddenly speaks from his new-found insight into cosmic matters. He says that he doesn’t believe that the gods commit adultery and do these other things. If there is a god, he says (interestingly using the singular, a strange thing for a Greek to do at this time of many gods), that god must be perfect and would not do such things. No, he says, he has been afflicted merely by Chance, by ‘Necessity’.
In saying this, he is rejecting Hera’s status as Zeus’ wife or as a goddess and reducing her to the figure she becomes for the Romans and the later medieval Europeans, Fortuna/ Fate, whose wheel of Chance puts people on top of their game, or rolls over them, quite whimsically. He is, in effect, tackling the problem of why bad things happen to good people, and saying that Fate strikes, giving us pain that is undeserved, and that all we can do is act nobly and courageously in the face of such occurrences. “Only cowards despair”, he says. “The brave man lives on, grasping what hope he can muster.” Then he praises the goodness of friendship and love, which can see us through the disasters that afflict us, and goes off to Athens with Theseus.
It’s an extremely moving play, with Hera’s action angering viewers and forcing them to not only feel sorry for Heracles, but agree with him about how awful it is to be the victim of Fate. It is also a kind of statement against the gods, by a playwright who was disliked by Athenians as a result.
As an atheist, I go further, of course, and wonder why Heracles doesn’t reject Zeus, or ‘god’ as well; after all, if there is only one ‘perfect’ god, why didn’t he stop Hera/Fate from doing such horrible things? But this is the big question in life, isn’t it? if there is a God, why does he allow terrible things to happen like war, plagues, earthquakes, typhoons, etcetera. Christians will say that God made humans with free will, and that they use free will to do good or bad things, and are often responsible for disasters (not fixing the dikes, for example, to sufficiently withstand Hurricane Katrina). And with these occurrences, as well as with natural disasters, God is apparently ‘testing’ the people who suffer from them, to see if they can rise above these awful experiences and still stay faithful to God. Somehow, this comforts them, I guess because it suggests that someone is in charge; that what has happened is not just random, that it has a purpose.
The biblical Job is often referred to by Jews and Christians when bad things happen to good people. Job is the wealthy man in the Old Testament Book of Job who was so pius that Satan challenged God to harm him as much as possible, just to see if he would curse God. So God kills Job’s children and his cattle, blights his crops, and afflicts him with boils all over his body, then waits to see what Job will do. Job does not curse God, but does question why God has done these things to him. God answers ‘out of the whirlwind’, rebuking him for even asking, and saying ‘Who are you to question my acts? Were you around when I made the world, filled the seas with fish, etcetera?” Job grovels sufficiently, and then, we are told, God rewards him by giving him new children, cattle, etcetera. As if that would make up for the ones who had been killed!
This story always strikes me as terrible, yet it convinces many Christians. Some even say that God never gives people afflictions that are too great for them to bear. This is such an awful idea that I can hardly see straight when I hear it. What kind of deity would do such a thing to test faith in himself? If a king did awful things to his subjects, just to see if they’d remain loyal to him, we’d call him a monstrous egotist and tyrant. The ‘fact’ that God made the universe and so on only makes his awful deed worse, since it proves he is capable of anything and therefore could prevent plagues, wars, earthquakes and floods if he wanted to. That he doesn’t do so makes him an unspeakable monster. It’s because I didn’t want to be allied with such a monster that I finally decided to become an atheist.
So I am in awe to see a 5th Century B.C. Greek dramatist who is breaking away from the superstitious belief in gods who afflict out of jealousy, who is admitting that many things that happen are not the result of human error (what Shakespeare and other Christian dramatists and critics would later call the ‘fatal flaw’ in character, but which the Greeks saw a simply a grave error), but just happen. Euripides doesn’t go far enough, but he at least tries to see past gods as an explanation of evil. For this I respect him.