Thursday, August 30, 2007

“Puffball” by Nicolas Roeg+review (not by me)

What wonderful symmetry! Last year at the Film Fleadh I got a welcome chance to see Nicolas Roeg’s masterpiece Don’t Look Now on the big screen. Now, this year, I got the pleasure of seeing his latest film, which seems, in many ways, like a bookend to the 1973 one—and introduced by the man himself. In Don’t Look Now, Roeg took Venice and made it damp and decaying and full of menace for outsiders who don’t belong. If he could do that to Venice, just imagine what he could do with water-logged and remote rural Ireland—which is what he does in this movie. Once again, we have outsiders working on an architectural project, a weird pair of sisters who may or may not have some supernatural powers, and a pervading sense that the place itself does not want these interlopers. And, in case there is any doubt, even Donald Sutherland is back, although this time in role that doesn’t serve any obvious purpose other than to have Donald Sutherland in the movie—which, in this case, is reason enough. The couple this time are played by Kelly Reilly (in her way, nearly as charismatic as Julie Christie) and Oscar Pearce. In a situation familiar to anyone who watches Irish home improvement programs on the telly, she is doing up an old cottage—and on the soggiest, muddiest site on the entire island. (The result, by the way, is one of the best jokes in the film, especially given her de rigueur insistence that she is “respecting” its traditional character.) The obligatory strange neighbors are played by Miranda Richardson, desperate to conceive a male child before the change of life kicks in, and Rita Tushingham, as her mother, in one of the all-time great weird old lady roles. Now, I realize that I’ve made this sound like it’s a horror movie, and it certainly has all the trappings of one. But Roeg made clear that he didn’t intend the movie to belong to any genre, and it’s fair to say that that is more true of Puffball than of Don’t Look Now. Part suspense thriller, part fairy tale, part fable—this movie, in the end, is the kinder, gentler (but still disturbing) Don’t Look Now. (Seen 14 July 2007)
Posted by Beviant in 16:14:19
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