Review of “In The Valley of Elah”
This film has garnered some very mixed reviews, surprisingly. Only Roger Ebert and the reviewer for Rolling Stone seem to see the truth here: this film is slow and elegiac because it deals with heavy matters, but it is never boring, not if you understand the situation and the depth of feelings being explored.The film is, admittedly, very restrained, but it has a strong resonance nonetheless. Perhaps some reviewers don’t get the film because they didn’t really feel what the film is saying, or dismiss it as being a cliche.
True, there have been dozens of films about how war damages the men who fight in it; that doesn’t mean, however, that it’s a cliché. We need to be reminded often of this fact, since each generation of young men head off to war as if such a thing can’t possibly happen to them; some probably don’t even know such a possibility exists, so short is the collective memory of society about such things. (And of course, the Army counts on just such amnesia to get its recruits for each new war).
To say that the treatment of that theme in “In The Valley of Elah” is too dreary and slow means that the viewer has stopped feeling for what is really hurtful in human conduct, that he or she might even be in denial. And that’s the theme of this film: what happens when we lose touch with what’s morally objectionable and grotesque in human conduct; what happens when we don’t care any more because we have been inured to such things in order to protect ourselves from pain.
Tommy Lee Jones, a distraught father, is restrained and wonderfully grim, wearing a face as filled with creases as a road map as he explores what happened to his son, a soldier, after his son returned from Iraq, and why. Charlize Theron, as the detective who helps him investigate, is quite beautiful even though she is playing a woman who is forced to act as non-sexy as possible to get on in her job with a male police force. Susan Sarandon, looking very old and sad, plays Jones’ wife, and is not, as some critic said, “underused”; she gives a performance that is all the more powerful because it is restrained. All of them deserve Academy Award nominations.
Tommy Lee Jones, a distraught father, is restrained and wonderfully grim, wearing a face as filled with creases as a road map as he explores what happened to his son, a soldier, after his son returned from Iraq, and why. Charlize Theron, as the detective who helps him investigate, is quite beautiful even though she is playing a woman who is forced to act as non-sexy as possible to get on in her job with a male police force. Susan Sarandon, looking very old and sad, plays Jones’ wife, and is not, as some critic said, “underused”; she gives a performance that is all the more powerful because it is restrained. All of them deserve Academy Award nominations.
This movie should be a must see for all who believe that the Iraq war should continue until there is an honorable time for America to leave. That time is already long past.